Myth in Pride and Prejudice

Authors

  • Nia Liska Saputri Universitas Indraprasta PGRI, Jakarta, Indonesia
  • Agustina Ramadhianti Universitas Indraprasta PGRI, Jakarta, Indonesia
  • Irfan Hadi Universitas Indraprasta PGRI, Jakarta, Indonesia

DOI:

https://doi.org/10.5555/ijosmas.v5i6.455

Keywords:

Film, Semiotic, Barthes Class Strata, Gender stereotype and Pride and Prejudice

Abstract

By using Roland Barthes' myth theory as a lens, this research attempts to understand Mrs. Bennet's role in Jane Austen's Pride and Prejudice. The story of social norms and women's standing in the early 19th century is greatly influenced by Mrs. Bennet, who is frequently seen as an example of an obnoxious and foolish housewife. The present research applies Barthes' myth theory to investigate how Mrs. Bennet's persona both reflects and perpetuates prevailing cultural beliefs regarding women's roles, marriage, and social stratification in Elizabethan English society. This study employs a qualitative descriptive method. This research result is finding out that  the hidden meaning or myth in this film that Mrs. Bennet is not simply a humorous figure, but also a symbol of the social pressures that middle-class mothers experience in marrying off their children in order to increase their social standing and economic security. The present research uses semiotic analysis to show how Mrs. Bennet's behaviour and concern with marriage can be interpreted as a manifestation of a myth that relates a woman's worth to her marriage success, hence perpetuating gender stereotypes and divides between classes.

 

Downloads

Download data is not yet available.

References

Barthes, Roland. 2010. Membedah MitosMitos Budaya Massa, diterjamahkan oleh Ikramullah

Mahyuddin. Yogyakarta: Jalasutra

Barthes, Roland. 2011. Mitologi Roland Barthes, diterjemahkan oleh Nurhadi, dan A. Sihab

Millah. Bantul: Kreasi Wacana Perum Sidorejo Bumi Indah (SBI).

Barthes (2012). Elemen-elemen semiologi. Jalasutra

Bayer and Squire (2014). Legislative Power and Women's Representation. Published online by Cambridge

University Press

Bjelica, M. (2021) ‘Listening: An interdisciplinary path towards letting things be’, Horizon. Studies in

Phenomenology, 10(1). Available at: https://doi.org/10.21638/2226-5260-2021-10-1-212-231.

Chaer, Abdul. 2014. Linguistik Umum. Jakarta : Rineka Cipta.

Hoed, Benny. 2011. Semiotik dan Dinamika Sosial Budaya. Jakarta: Komunitas Bambu.

Irigaray, L. and Müller, T. (2022) ‘The Emergence of a New Human Being’, Angelaki, 27(5), pp.

-181. Available at: https://doi.org/10.1080/0969725X.2022.2110405

Kriyantono, Rachmat. 2014. Teknik Praktis Riset Komunikasi. Jakarta : Prenadamedia Group.

Lustyntie, Ninuk. (2012). Pendekatan Semiotik Model Roland Barthes dalam Karya Sastra Prancis. Diakses pada

May 2024 dari https://pps.unj.ac.id/ publikasi/dosen/ninuk.lustyantie/16.pdf.

Lu and Zhao (2015). Self-Adaptive Hierarchical Sentence Model. Proceedings of the Twenty-Fourth International

Joint Conference on Artificial Intelligence (IJCAI) https://doi.org/10.48550/arXiv.1504.05070

Manalu, Y. E., & Warsana, D. (2021). Film Yowis Ben Sebagai Media Komunikasi Promosi Wisata Kota Malang Yowis Ben Film as a Communication Media for Malang City Tourism Promotion. Cinematology: Journal

Anthology of Film and Television Studies, 1(1), 49–57. doi: https://ejournal.upi.edu/index.php/Cinematology/article/view/34707/15659

Minah, Noor, and Fatrawati Kumari. 2021. “Film Dangal Dalam Analisis Jacques Derrida.” Jurnal Ilmiah Ilmu

Ushuluddin20 (2): 145. https://doi.org/10.18592/jiiu.v20i2.5635.

Nugroho, R. (2011). Gender dan Strategi Pengurus-Utamaannya di Indonesia. Pustaka Pelajar.

Pawestri (2020). Ekranisasi Novel Hujan Bulan Juni Karya Sapardi Djoko Damono ke dalam Film HUJAN

BULAN JUNI Karya HestuSaputra dengan Kajian Eneste . Jurnal Penelitian, Pendidikan, dan

Pembelajaran. 15(24). file:///C:/Users/rstg/Downloads/7135-18825-1-PB.pdf

Pujiati, T. and Riwu, A., (2018). Analisis Semiotika Roland Barthes pada Film 3 Dara (Kajian Semiotika).

Deiksis, 10(03), 212–223. doi: https://doi.org/10.30998/deiksis.v10i03.2809

Sobur. (2001). Analisis Teks Media : Suatu Pengantar Untuk Analisis. Wacana, Analisis Semiotik, Dan Analisis

Framing, Bandung : PT. Remaja Rosda.Sobur, A. 2016. Semiotika Komunikasi. Bandung: Remaja

Rosdakarya.

Soenarto Iswahyudi and Tjahjani Joesana. (2020). Representations of Mother in Indonesian and European

Literary Folktales. Proceedings of the 1st International Conference on Folklore, Language, Education

and Exhibition (ICOFLEX 2019). DOI.10.2991/assehr.k.201230.015

Zaimar, Okke K.S.2014.Semiotika dalam Analisis Karya Sastra,Depok: PT Komodo Books.

Zulhifitri Dwi and Hidayat Ofi.(2022). PERSAMAAN HAK ASASI MANUSIA DAN RASISME PADA

KELOMPOK MINORITAS (ANALISIS FRAMING DALAM FILM THE GREATEST SHOWMAN).

DOI: https://doi.org/10.36761/kagangakomunika.v3i2.1520

Published

2024-12-16

How to Cite

Saputri, N. L. ., Ramadhianti, A. ., & Hadi, I. . (2024). Myth in Pride and Prejudice. International Journal of Social and Management Studies, 5(6), 29–35. https://doi.org/10.5555/ijosmas.v5i6.455